5 Questions with... Azariah Tan

Pianist Azariah Tan will be performing a solo recital on Friday, 20 August 2021, and with violinist Shuxiang Yang on Saturday, 21 August 2021, at the Esplanade Recital Studio as part of “Die dunkelrosa Rose”, presented by Kris Foundation.

How did you meet Shuxiang and is this your first time working together?

We met through Kris Foundation! Thank you for bringing us together! Yes it is the first time, and we had a great time rehearsing! Shuxiang is a wonderfully musical artist, who is a joy to work with!

Does the programme represent your personality? Tell us about the curation.

Absolutely. Chopin is a composer close to my heart, and I love his poetic expressions. I fell in love with his music since I was a young boy! The emotions visited in his third sonata range from sublime to nostalgic, ending in furious heroism.

In the second half of the program, I will performing Schubert’s Sonata in A Major D.959, composed some 16 years earlier than Chopin’s. I discovered Schubert much later, and while his music took some getting used to at first, I have grown to appreciate the deep sense of humanity beneath the music’s simple facade. This sonata is has such a wide range of storytelling, such as in the second movement, which for me is a dirge in which the left hand figuration is like a clock ticking away, counting down the remaining moments of his life. In fact, this sonata was finished barely months before Schubert’s death. Schubert determines to sing his heart out in the final movement.

I thought about putting these two works together to make a balanced program of two monumental piano sonatas. They are both late works in their composers’ oeuvre, contain four movements each, and take the listeners through a gamut of emotions. They both play on the motif of a minor second, exploring various moods. I just love these sonatas!

What is the most memorable moment of your career so far?

I don’t have any in particular, although if I had to name one I would say it was performing Rhapsody in Blue for the first time with SSO! Just the pure excitement and nervousness back then really made the whole experience almost unreal. Now, I treasure each moment playing for a live audience.

Has your life changed since COVID-19?

Staying home most of the time! It has allowed me to do more self-reflection and practice, which is good! Of course it was sad to have some concerts cancelled, but I focus on what I can do now, and for others.

Are you involved in any interesting projects this year?

I am really excited to perform this program as well as collaborate with Shuxiang for his recital! As a board member of Very Special Arts Singapore, I am excited to be involved in the planning for a new Bukit Merah center for performing arts!

5 Questions with... Shuxiang Yang

Violinist Shuxiang Yang will be performing a recital with pianist Azariah Tan on Saturday, 21 August 2021 at the Esplanade Recital Studio as part of “Die dunkelrosa Rose”, presented by Kris Foundation.

How did you meet Azariah and is this your first time working together?

I’ve known of Azariah for such a long time already! Have seen him around at musical events, but interestingly, have never actually played or had a serious conversation with him! This is actually really surprising given how tight-knit our Singaporean music community is! So I’m extra excited about this chance to really get to know Azariah—both musically and personally!

Does the programme represent your personality? Tell us about the curation.

Our duo programme came together rather organically. I guess we both wanted to explore the Strauss sonata, and that was the seed that gave rise to the Hindemith and Schubert! The Hindemith in particular was a happy discovery—I did not know any of his violin works, but chanced upon it in a late-night google session! It matches the tonality and historical context of the Strauss perfectly, while at the same time, providing a completely different sound world!

What is the most memorable moment of your career so far?

Wow! Tough question… So many moments. I guess the one that started it all was the Bruch Concerto I performed at the Esplanade Concert Hall with the Raffles Institution String Ensemble back in 2004. That was the turning point in my life that made me sure that I wanted to drop everything and pursue a career in music!

Has your life changed since COVID-19?

For one—I relocated back to Singapore from Boston in a snap. The decision was made and executed within two days! I must say that I’m super glad to be back with my supportive family during these difficult times. And of course, being back here has allowed me to reconnect with Kris, giving rise to this wonderful opportunity! Thank you Kris!

Are you involved in any interesting projects this year?

I just performed at the Singapore International Festival of Arts—it’s amazing to see SIFA turning inwards to highlight our very own herd of local artists this year. In a remarkable turn of events, I’ve also just picked up a new administrative hat—managing the 2022 Singapore International Violin Competition! I think all these exciting opportunities add up to show that Singapore’s music scene is really blooming!